Chris Claremont is most known for his revolutionary work on the X-Men franchise that spanned for nearly two decades.During his tenure at Marvel, Claremont co-created numerous X-Men characters, such as Rogue, Psylocke, Kitty Pryde/Shadowcat, Phoenix, The Brood, Lockheed, Shi'ar, Shi'ar Imperial Guard, Mystique, Destiny, Selene, Reverend William Stryker, Lady Mastermind, Emma Frost, Tessa, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Moira MacTaggert, Lilandra, Shadow King, Cannonball, Warpath, Mirage, Wolfsbane, Karma, Cypher, Sabretooth, Empath, Sebastian Shaw, Donald Pierce, Avalanche, Pyro, Legion, Nimrod, Gateway, Strong Guy, Proteus, Mister Sinister, Marauders, Purifiers, Captain Britain, Sunspot, Forge and Gambit. He developed the character of Wolverine into a fan favorite. In 2015, Claremont entered into the Will Eisner Award Hall of Fame.
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Claremont was born in London, England. His father was an internist and his mother was a pilot and caterer. Claremont is Jewish on his mother's side, and lived in a kibbutz in Israel during his youth. His family moved to the United States when he was three, and he was raised primarily on Long Island. Alienated by the sports-oriented suburbs, his grandmother purchased for him a subscription to Eagle when he was a child, and he grew up reading Dan Dare, finding them more exciting than the Batman and Superman comics of the 1950s and early 1960s. He read works by science fiction writers such as Robert Heinlein, as well as writers of other genres such as Rudyard Kipling and C. S. Forester.
Claremont initially did not view the comic book industry as the place where he would make his career, as he believed the dwindling readership to be a sign that the industry was dying, and found the material being published to be uninteresting. Instead, when he began at Bard College, he did so as a political theorist, studying acting and political theory, and writing novels with the hope of becoming a director. His first professional sale was a prose story. He graduated in 1972.
Claremont's career began in 1969, as a college undergraduate, when he was hired as a gofer/editorial assistant at Marvel Comics. His first professional scripting assignment was Daredevil #102 (Aug. 1973). As an entry into regular comics writing, Claremont was given the fledgling feature "Iron Fist" in Marvel Premiere as of issue #23 (Aug. 1975). He was joined two issues later by artist John Byrne. The Claremont/Byrne team continued to work together when the character received its own self-titled series in November 1975 which lasted 15 issues.
Though his acting career did not yield great success, he functioned well at Marvel, where he obtained a full-time position. One of the first new characters created by Claremont was Madrox the Multiple Man in Giant-Size Fantastic Four #4 (Feb. 1975). Marvel's editor-in-chief at the time, Len Wein, who recognized Claremont's enthusiasm for the new X-Men that Wein and Dave Cockrum had created in 1975, hired Claremont, a relatively young writer, to take over the series as of issue #94 (May 1975), reasoning that doing so would not draw opposition from other writers, given the book's poor standing. Claremont approached the job as a method actor, developing the characters by examining their motives, desires and individual personalities. This approach drew immediate positive reaction. According to former Marvel editor-in-chief Bob Harras, "He lived it and breathed it. He would write whole paragraphs about what people were wearing. He really got into these people's thoughts, hopes, dreams." Claremont's take on the series has been likened to writing "the Great American Novel about complex characters who just happened to fly", incorporating surprise character developments and emotional nuances amid the operatic battles that otherwise typified American superhero comics. By his own admission, Claremont acquired a reputation for taking a long time to resolve plot threads, and longtime X-Men editor Louise Simonson recounted that whenever she was at a loss for story ideas, "All I'd have to do was go through all of the plot threads that he had left for the last year or two."